![]() ![]() Or set the output to Sony/S-Log and you can clearly see that the two are similar, but not the same. But you should do it both ways and see the difference for yourself. To make a contribution please use the drop down menu here, there are several contribution levels to choose from. almost identical I just dont know if a Slog Lut would work on a Vlog clip No, they wont. If you find these LUT’s useful please consider buying me a coffee or other drink. But only share via a link to this page please. Please feel free to share a link to this page if you wish to share these LUT’s with anyone else or anywhere else. ![]() In addition I have include the same LUTs but with Legal range input levels for use on Atomos and other recorders that record ProRes in using Legal Range. There are also minus1 and minus2 LUTS that have 1 and 2 stop exposure shifts for footage that has been shot brighter than the base exposure. There are 65x LUT’s suitable for grading as well as 33x LUT’s for monitors or grading software that doesn’t support the higher quality 65x LUTs. As usual I have include different versions of the LUT. Note: These LUTs are for S-Log3 and SGamut3.cine from the FX9. So you won’t see a big difference, it’s subtle, but I think it really is better.Ĭlick Here to download the ACs709 For FX9 LUT set. The idea isn’t to create a new look, just to help get rid of the tint. The difference between this LUT and Sony’s original s709 LUT is very small. So I now have a new version of the LUT which really does help combat the green tint. I recently created an experimental LUT to minimise this tint but some people found this tended to push some images slightly magenta. I believe that this is because originally the s709 LUT was designed for the Sony Venice camera and the FX9 is very slightly different. more.Many users of the FX9 that have been shooting S-Log3 are finding that when they add the standard Sony version of the s709 LUT that their pictures have a slight green tint. Spice up your videos with pre-built animations that have a transparent background, just like how a PNG iamge works, but for video.Ĭompleitble in all professional editing software such as DaVinci Resolve, Premiere Pro, AVID, Filmora, Movavi, and much. Read more about what LUTs are and why LUTs are amazing for some people. Sony Natural LUT Pack SLog2 & SLog3 to Enhanced Rec709 LUTs 14.99 View Details Add to Cart Monitor LUTs included Natural enhanced colors LUT file format. This is why LUTs are ultra useful for specific types of people. They want to pump out videos that look decent, so they can work on other things that matter more to them. For example, Youtubers and Business owners don't have time to spend passionately learning how to color grade. This route is always the best route if you have passion and time as you will receive your favourite results, because it's from your mind.īut some users just don't have it in them. Some Filmmakers have a very artistic eye and love designing the color themselves. ![]() Also of course, LUTs aren't for everyone. Some colorists spend many years color grading different types of Log footage. Being able to place a look onto your footage and have it corrected to a pleasing look while getting more dynamic range out of your camera, is a huge time saver and upgrade! It's an art in itself and it's not something you can learn quickly. This caused a lot of people to get frustrated that they would need to color grade after shooting anything if they wanted the extra dynamic range, especially if they have a quick turn-around on an edit. So let's say, color grading isn't for everyone. One issue that came with this, is that everyone had to learn color grading when using Log. Giving the ability to have a higher dynamic range than standard color, without losing detail in the shadows and highlights. As Sony cameras became more popular, S-Log 2 & 3 introduced many Filmmakers to using Log color profile. S-Log color space was a big driver for many users to learn how to use LUTs. They gave the user everything they needed while capturing, like multiple XLR inputs for audio, high bitrate, low power consumption and much more. Many Sony cameras were becoming the favourite, such as the FS5 and FS7 for professional work. Just like when the A7S1 was released, it revolutionised the industry with it's low-light capabilities and small design. Below, you’ll find our free color transform LUT for Sony S-Log 3 footage. ![]() Sony cameras have been leading the way for many years in the Filmmaking scene. ![]()
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